Family Portrait, 5 Years Ago

I made this for Taryn one Christmas, probably 2004. I had planned it, clipped reference photos, bought watercolors to stick to the original drawing — thought of everything. Then I waited and waited on doing the drawing, finally heading to my studio on Christmas eve to draw it in a frenzy, hoping it all turned out well.

Even in the drawing we look like kids. Now there are two kids and one less dog. (Miss you, Zombie!) Life, as it does, marches on.

bynumbers

Ada “Bonnie” Lovelace Day

Or: I love you, Mom

Today is Ada Lovelace day, celebrating the contributions of women in technology worldwide. For the uninitiated, Ada Lovelace was a nineteenth century English mathematician, writer, and thinker who is regarded as the author of the world’s first computer program. She focussed a lot of her energy around Charles Babbage’s famous analytical engine, and advanced the concepts by producing its first algorithm — essentially creating the separation between hardware and software.

The idea behind Ada Lovelace day is to celebrate women in technology by telling their stories. And while there are plenty of worthy candidates, one woman in technology stands out more than all others to me: my Mom.

mom

My mother introduced me to computers before I could walk. Even in the late seventies, computers were a part of our home life. Jean “Bonnie” Myers worked as a statistical programmer doing geographic data analysis before that kind of thing as popular in the hipster set. I cut my teeth on write-protect rings for magnetic tape and I mean that literally — those funny colored plastic rings that most of you have never seen were the first toys in my house and apparently soothe the gums like nothing else.

I have early memories of Mom plugging our rotary phone into a modem and waiting patiently as she called up a VAX terminal from our kitchen table. She taught me to type, to think, and to understand what was going on behind the blinking green and yellow cursors.

When I was still just knee-high she’d bring me to her office, show me the plotters and servers. As I got older she explained systems to me, drove the family to shareware centers to copy new programs onto 5.25″ floppies, and taught me to be unafraid to tear into the hardware powering our home computer. The education has continued my whole life. She taught me to use PINE when l was assigned my first email address at UMass, helped me hone code structures as I learned to program, and we talk Internet security to this day.

As a kid I never understood just how cool my mom was because I assumed all mothers were geniuses like mine. She’d bring home ASCII art coloring pages spanning sheets of large-format dot matrix paper. (Clearly something all mothers did.) I was too young to understand all of the interesting work she was doing, but I’m eternally grateful that she made it a part of my daily life.

Now Bonnie oversees an IT department at Tufts University in Boston. A quick look at IT-worker statistics shows that’s no small feat. I’m immensely proud to call her my mother and I’m thankful for everything she gave me — from my worldview right down to my write-protected teeth.

I love you, Mom.

Onesheetery

I know I write about Xiu Xiu too much. I promise this is the last time I’ll hammer on about their new record, Dear God, I Hate Myself. But Jamie and company have made something really wonderful in this album. The review that I was working on for this blog turned into the onesheet for the record, so I never posted it. But with the album coming out next week on my favorite label, Kill Rock Stars — well I just thought I’d post everything here.

Dear God, I Hate Myself

You can preorder Dear God from KRS here, or get it from iTunes right now.

And it’s a safe bet that if I had posted this here originally it would have contained more swear words.

Read almost any piece about Xiu Xiu and you’ll see words like ‘harsh’ or ‘brutal’ — the same words that appear before ‘truth’ when an unwavering eye is turned on any intimate detail of our lives. Fair descriptions of the themes central to the music, they sit incongruous to the refined, intricate, and beautiful approach taken in crafting the twelve tracks on Xiu Xiu‘s new album Dear God, I Hate Myself.

The two biggest constants throughout Xiu Xiu‘s catalog are honesty and evolution. This remains true with Dear God, I Hate Myself as it delivers a look at responsibility, fear, healing, and societal roles wrapped in rich gothic pop music. The sound is still distinctly Xiu Xiu, but Jamie Stewart‘s vocals are effortless paired with vibrant melodies full of subtlety and the distinct sonic accents expected of this anticipated Xiu Xiu release. The result is a record that proves that art can be pop and pop can challenge you to look inside yourself.

Stewart is joined by new full-time band member Angela Seo on piano, synth, and drum programming; with production handled by Jamie and Deerhoof‘s Greg Saunier. Together they’ve crafted a fully grown sound for Dear God, I Hate Myself with elements from goth and pop that are expertly performed by a crop of brilliant musicians. Saunier himself plays on much of the record as does Ches Smith (John Zorn, Terry Riley, Marc Ribot) who supplies timpani, conga and moog along with a broad range of other instrumentation. Deerhoof‘s John Dieterich is all over a rendition of the traditional folk song “Cumberland Gap” and Xiu Xiu is even joined by the Immaculata Catholic School Orchestra in Stewart‘s ode to heartbreak and healing, “This Too Shall Pass Away (for Freddy).” The title track, one of four songs done primarily on a Nintendo DS, explores the relationship between faith and despair with a layer of commentary provided by the bizarre sounds of the music itself.

Each new Xiu Xiu release has evolved alongside the lives of Jamie Stewart and company. On this record you’ll find more intensity and introspection than ever before, but sonically and lyrically it continues to move forward with a subtly new perspective — hyper-focussed yet aware of a larger, external picture unfolding. The pace of the record grips you, the music offers layers of detail, and the themes focus on not just the past or stark present but hint towards vespers of the future as well. Dear God, I Hate Myself will challenge you and force you to look inside yourself, but only after you get lost in the music. It’s passionate, it’s energetic, and it affects you.

Dear God, I Hate Myself is a beautiful piece of humanist art. It’s an important addition to the growing body of intelligent music from Xiu Xiu. And it’s a brilliant gothic pop record that can stand next to anything.

2 EPs: Superhumanoids and Man Woman Child

Both of these free EPs are amazing, recently released, and available for free download. The first, Contemporary Individual by LA’s Superhumanoids, is a two song release. The title track feels like it belongs in a bright scene from Twin Peaks, and both stack up against the best electronic indie rock out there. The other, Man Woman Child‘s self-titled 3 track EP takes the best of glam rock and brings it forward. It plays at a quick pace with some nice guitar work and even nicer decisions in the songwriting.

Superhumanoids
Contemporary Individual
superhumanoids

Preview:
Contemporary Individual

Get it: superhumanoids.com
Man Woman Child
Self-Titled
man woman child

Preview:
Day of Reckoning

Get it: ep.manwomanchild.org
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A Friend Of A Friend

I never met Vic Chesnutt. I only saw him play once, and it was a wrong venue/wrong crowd/wrong night kind of show. I didn’t have any true connection to his music, but understood just how important it was by the way other people talked about it.

Vic was a friend of a friend.

A few days before Christmas, as Taryn and I were planning out our three year old daughter’s first real Christmas I heard that he was in trouble. In the hospital. In a coma. Probably not coming back. I asked Billy to keep me posted, because I knew it was hurting Kristin. He said he would and I went back to forging notes from Santa and spending time with my family.

On Christmas day I got a call that Vic had died. Billy and Kristin wanted to help and thought it would be a good idea to set up a page that could collect money for Tina, Vic’s wife. It was the middle of a holiday, I still had never met Vic, still had only seen him play once, and still wasn’t connected to his music. I said the only thing I could: “Of course I’ll help.” It was the only right thing to say, because somewhere in Georgia everything just changed. One life ended and a family changed forever. There’s a house that used to have Vic in it that needs to find a way to continue without him.

It costs a lot of money to bury a man. The mortgage and bills need to be paid, food bought, and all the things that keep parting us from our money are still there. Except Vic’s not. People are talking about medical expenses. That may be a huge factor, I honestly have no idea how that debt does or does not pass on. But I do know the pain of losing someone in your family, in your house. If there was something I could do to help make sure that pain isn’t compounded by gross financial burden I was damn sure going to do it. I know I hope someone would do the same for Taryn and the girls were I to die.

So on Christmas I found a half hour to put up a page to help the family of a friend of a friend. Kristin did all the hard work writing and Billy pulled everything together. Since then a thousand people have given something to the family. Seeing so many people pull together to make sure that Vic’s family doesn’t need to suffer any more than they already had is about as close to a miracle as I’ll ever recognize.

And on one final point I want to be very clear: we didn’t do this to raise money for a hospital. We’re raising money for a family. Every donation is being accounted for and all the money will go directly to Vic’s wife and dealt with exactly as she specifies.

 
You can leave a donation for Vic’s family here.

 

Best (Macrobiotic) Albums of 2009

Every year you see dozens of best-of lists all essentially mirroring each other. That’s fine, I guess, but looking through my favorites for the year I realized that I’ve either got shit taste or there’s room for a few more records in the conversation. Going on the latter I’ve put together a list of favorites from 2009 that I feel everyone should listen to.

I’m unapologetic about the fact that most of these records are from friends, labels and managers I work with, or old comfort zones. That was my second realization: that I consume music close to me with more vigor than music from strangers. So this list isn’t intended to tear down the accolades for Fever Ray, The XX, or any of the bands who made great records on other year-end lists. This list is simply me recognizing the best of the music that’s filled my life and my playlist throughout the year.

This is the sound of my 2009.
 

Fleurs

Former Ghosts, Fleurs
Upset The Rhythm
Fleurs makes you feel every inch of twenty-something heartbreak, wrapped in echoing synth and surprisingly catchy songwriting. Former Ghosts are led by Freddy Rupert of This Song Is A Mess But So Am I, who handles the primary songwriting and most lead vocals. Joined by Jamie Stewart of Xiu Xiu and Nika Roza of Zola Jesus, Freddy made a cathartic record that’s haunting and beautiful, layered with emotion and sound in a way that makes it get richer with each listen.

Sample: Former Ghosts – The Bull And The Ram
Buy it: at formerghosts.com

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Farm

Dinosaur Jr., Farm
Jagjaguwar
This album singlehandedly renewed my faith in the electric guitar. My first exposure to Dinosaur Jr. came in high school from a scratched up cassette passed down from a friend. Growing up in Massachusetts they were still seen as local heroes even as they quickly went national. I liked it back then, but I never slid into the fan-for-life category — until Farm. There’s something so powerful about this record, a tone of acceptance without even a hint of compromise. The songs range from “Over It,” hiding its depth in pop, to “I Don’t Want To Go There” which will hold your attention for 8+ minutes scattered with savant guitar solos. So good.

Sample: Dinosaur Jr. – I Want You To Know
Buy it: at the dino jr store / iTunes

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Power+Light

50FOOTWAVE, Power+Light
Throwing Music (self release)
Holy Shit. That’s what I have to say about this EP. Of all the stuff Kristin Hersh does, and I’m lucky to get such a close view, it’s 50FOOTWAVE that I listen to most. The “sample” below is actually the whole stream — no way to cut it up because the whole EP is one insanely powerful track, split up into distinct movements but undeniably a united whole. It’s an epic piece of rock and roll, hidden at times beneath an auditory assault. There’s nothing more I can say. Just listen to it, tell the world, and I dare you to find something more eloquent to say than “Holy Shit.”

Sample: 50FOOTWAVE – Power+Light
Buy it: at kristinhersh.com

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Now We Can See

The Thermals, Now We Can See
Kill Rock Stars
Northwest punk at its finest, Now We Can See couples fantastic punk hooks with the intelligence and political savvy you expect out of Portland. It’s a great listen throughout, sprinkled with anthems you sort of can’t help but sing along to. I’ve never seen The Thermals live, but in footage they play with as much energy as anyone I’ve ever seen — and that translates directly to this record. Charged and passionate, Now We Can See carries universal appeal without backing down from what you’d expect from the Thermals.

Sample: The Thermals – Now We Can See
Buy it: at killrockstars.com / iTunes

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Years Of Refusal

Morrissey, Years Of Refusal
Lost Highway
To know me is to know the unhealthy amount of time I’ve spent listening to the music of The Smiths and Morrissey, so you’d expect this to appear on any list I make. And honestly, it probably would no matter how good it was. But this record is good. This record is really good, maybe Morrissey’s strongest release since You Are The Quarry. (Which, incidentally, is very underrated.) From the first track it’s made clear that Moz means business, and that this record is far from an obligatory piece of catalog filler.

Sample: Album stream (off-site)
Buy it: iTunes

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Ignore The Ignorant

The Cribs, Ignore The Ignorant
Warner Bros
I know I just wrote a paragraph about Morrissey and now I’m switching to a band featuring Johnny Marr. Sure I thought it was funny, but the Cribs are much more than window dressing for the talents of Mr. Marr. Top to bottom this record delivers pop greatness, and brings a wonderfully cohesive voice that really defines the Cribs, and elevates them past most bands sporting a new and famous member. If anything it seems like Marr and the brothers Jarman have bonded in something special, the sum being greater than all the parts.

Buy it: iTunes

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Cassette City

Lushlife, Cassette City
Rapster/!K7
I almost left this record off the list, feeling biased because I did the cover art. Almost. It’s too good not to talk about, and I’ve lost track of how many times I’ve listened to it in the last nine months. Lush plays Superman on this record, serving as the primary MC, playing most of the instruments, and handling producer duties. There’s a craft and attention here that’s lacking from a lot of hip-hop, and the time Lushlife spent with the music pays off. Guests like Greg Saunier, Ezra Koenig, and Camp Lo only add spice, but this record has plenty of flavor throughout.

Sample: Lushlife – The Kindness
Buy it: at Amazon / iTunes

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Surface

RENMINBI, Surface
self release
Marisa told me to listen to RENMINBI, thinking I’d like their sound. As is usually the case, Marisa was right and I fell in love. The energy level, the songwriting, and especially the vocals all worked perfectly. RENMINBI feels like an homage to early rock and roll, set in an indie rock world. The EP starts with “Portland,” instantly hooking you and setting a strong tone. On first listen it’s the standout track, but hours later “Set-Up” still echoes in your ear and you want to give Toulouse another listen. It’s only four tracks, but Surface has a lot to offer.

Sample: RENMINBI – Portland
Buy it: at CASH Music / iTunes

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Songbook

Family Of The Year, Songbook
Washashore (self release)
Family Of The Year is a special band, crossing genres and styles without ever leaving their own unique sound. Songbook is the perfect showcase for them, blending harmonies and piano one minute, acoustics the next, and electric guitars and keys after that. They manage all the shifts and changes while staying true to their sincere and downright nice sound, the joyful personality of the band always on display.

Sample: Family Of The Year – Let’s Go Down
Buy it: at familyoftheyear.net

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Honorable Mention
Each of the list above wrestled a week or more of attention from me, sitting atop my playlist and serving as the go-to record for more obsessive plays than I’d like to admit. In a few cases I think they may have stolen attention from other great, deserving records. On that note there are a few other releases from 2009 that merit attention so in no particular order:

krs513

Panther, Entropy
Kill Rock Stars
Buy it: at Kill Rock Stars / iTunes
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DM Stith

DM Stith, BMB / Heavy Ghost / Thanksgiving Moon
Asthmatic Kitty
Buy it: at Asthmatic Kitty
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Satanic Satanist

Portugal. The Man, Satanic Satanist
Equal Vision
Buy it: from Portugal. The Man / iTunes
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Know Better Learn Faster

Thao + TGDSD, Know Better Learn Faster
Kill Rock Stars
Buy it: at Kill Rock Stars / iTunes
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Love Comes Close

Cold Cave, Love Comes Close
Matador
Buy it: iTunes
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